As director productions include David Mamet’s Oleanna at the White Bear; the US premiere of Paul Sellar’s The Bedsit in Chicago; Dark is the Night, a double bill of mystery and suspense adapted by Paul Sellar for Gilded Balloon Productions and Anna Wiess by Mike Cullen at the Jermyn Street Theatre. Has developed a number of new plays with Time Out Critics Choice award winning writer Paul Sellar including The Damage for Gilded Balloon Productions. Audio plays include Doctor Who: The Death Collectors by Stewart Sheargold for Big Finish Productions.

As associate director productions include Treasure Island at the King’s Head and the 400th anniversary production of Macbeth staged in the Great Hall at Hampton Court Palace.

As assistant director West End productions include The King & I at the London Palladium; the workshop for the new musical Taboo and the workshop for the new musical We Will Rock You. Also assisted on Columbia Artists’ production of Lehar’s The Merry Widow which toured the USA and on The Beauty Queen of Leenane at the Haymarket Basingstoke.

Work in film includes second assistant director and foley/voice artist on Room 36, and assistant music researcher on Stephen Poliakoff's Capturing Mary.

Writing includes a full-length play about the early life of Salvador Dali which received a four star review at the Edinburgh Festival; Super Nova, a short story published in issue seven of Aesthetica Magazine and The Accidental Recall, a short play shortlisted for the Short & Sweet Festival Sydney 2008.

Trained as a director at Drama Studio London.